Τετάρτη, 7 Νοεμβρίου 2007

Guy Debords' In girum imus nocte et consumimur igni

πολυ ειδικα αφιερωμενο στον icaros αλλα και σε ολα τα ανησυχα πλασματα αποσπασματα απο τη θρυλικη ταινια του Ντεμπορ..για να μην ξεχνιομαστε.. I will make no concessions to the public in this film. I believe there are several good reasons for this decision, and I am going to state them.In the first place, it is well known that I have never made any concessions to the dominant ideas or ruling powers of my era.Moreover, nothing of importance has ever been communicated by being gentle with a public, not even one like that of the age of Pericles; and in the frozen mirror of the screen the spectators are not looking at anything that might suggest the respectable citizens of a democracy.But most importantly: this particular public, which has been so totally deprived of freedom and which has tolerated every sort of abuse, deserves less than any other to be treated gently. The advertising manipulators, with the usual impudence of those who know that people tend to justify whatever affronts they don’t avenge, calmly declare that “People who love life go to the cinema.” But this life and this cinema are equally paltry, which is why it hardly matters if one is substituted for the other.The movie-going public, which has never been very bourgeois and which is scarcely any longer working-class, is now recruited almost entirely from a single social stratum, though one that has been considerably enlarged — the stratum of low-level skilled employees in the various “service” occupations that are so necessary to the present production system: management, control, maintenance, research, teaching, propaganda, entertainment, and pseudocritique. Which suffices to give an idea of what they are. This public that still goes to the movies also, of course, includes the young of the same breed who are merely at the apprenticeship stage for one or another of these functions.From the realism and the achievements of this splendid system one could already infer the personal capacities of the underlings it has produced. Misled about everything, they can only spout absurdities based on lies — these poor wage earners who see themselves as property owners, these mystified ignoramuses who think they’re educated, these zombies with the delusion that their votes mean something.How harshly the mode of production has treated them! With all their “upward mobility” they have lost the little they had and gained what no one wanted. They share poverties and humiliations from all the past systems of exploitation without sharing in the revolts against those systems. In many ways they resemble slaves, because they are herded into cramped habitations that are gloomy, ugly and unhealthy; ill-nourished with tasteless and adulterated food; poorly treated for their constantly recurring illnesses; under constant petty surveillance; and maintained in the modernized illiteracy and spectacular superstitions that reinforce the power of their masters. For the convenience of present-day industry they are transplanted far from their own neighborhoods or regions and concentrated into new and hostile environments. They are nothing but numbers on charts drawn up by idiots. They die in droves on the freeways, and in each flu epidemic and each heat wave, and with each mistake of those who adulterate their food, and each technical innovation profitable to the numerous entrepreneurs for whose environmental developments they serve as guinea pigs. Their nerve-racking conditions of existence produce physical, intellectual, and psychological degeneration. They are always spoken to like obedient children — always willing to do what they’re told as long as they’re told that they “must” do it. But above all they are treated like retarded children, forced to accept the delirious gibberish of dozens of recently concocted paternalistic specializations, which one day tell them one thing and the next day perhaps the very opposite. Απόσπασμα απο την ταινία
Separated from each other by the general loss of any language capable of describing reality (a loss which prevents any real dialogue), separated by their relentless competition in the conspicuous consumption of nothingness and thus by the most groundless and eternally frustrated envy, they are even separated from their own children, who in previous eras were the only property of those possessing nothing. The cinema I am talking about is a deranged imitation of a deranged life, a production skillfully designed to communicate nothing. It serves no purpose but to while away an hour of boredom with a reflection of that same boredom. In the present film, for example, I am simply stating a few truths over a background of images that are all trivial or false. This film disdains the image-scraps of which it is composed. I do not wish to preserve any of the language of this outdated art, except perhaps the reverse shot of the only world it has observed and a tracking shot across the fleeting ideas of an era. I pride myself on having made a film out of whatever rubbish was at hand; and I find it amusing that people will complain about it who have allowed their entire lives to be dominated by every kind of rubbish.Considering the story of my life, it is obvious to me that I cannot produce a cinematic “work” in the usual sense of the term. I think the substance and form of the present communication will convince anyone that this is so.It is a commonplace that even in periods shaken by momentous changes, even the most innovative people have a hard time freeing themselves from many outdated ideas and tend to retain at least a few of them, because they find it impossible to totally reject, as false and worthless, assertions that are universally accepted. “Once again, after all the untimely answers and the aging of youth, night falls from on high.”“Like lost children we live our unfinished adventures.”“What is writing? The guardian of history. . . . What is man? A slave of death, a passing traveler, a guest on earth. . . . What is friendship? The equality of friends.”We did not seek the formula for overturning the world in books, but in wandering. Ceaselessly drifting for days on end, none resembling the one before. Astonishing encounters, remarkable obstacles, grandiose betrayals, perilous enchantments — nothing was lacking in this quest for a different, more sinister Grail, which no one else had ever sought. And then one ill-fated day the finest player of us all got lost in the forests of madness. — But there is no greater madness than the present organization of life.Did we eventually find the object of our quest? There is reason to believe that we obtained at least a fleeting glimpse of it; because it is undeniable that from that point on we found ourselves capable of understanding false life in the light of true life, and possessed with a very strange power of seduction: for no one since then has ever come near us without wishing to follow us. We had rediscovered the secret of dividing what was united. We did not go on television to announce our discoveries. We did not seek grants from academic foundations or praise from the newspaper intellectuals. We brought fuel to the fire.This civilization is on fire; the whole thing is capsizing and sinking. What splendid torpedoing!Preparing an era for a voyage through the cold waters of history has in no way dampened these passions of which I have presented such fine and sad examples.
As these final reflections on violence continue to demonstrate, for me there will be no turning back and no reconciliation.No wising up and no settling down. Μπορειτε να δειτε ολη την ταινια στο http://www.ubu.com/film/debord_ingirum.html

15 σχόλια:

icaros είπε...

Εξαίσιο δώρο/potlatch! Γιορτή! Δεν έχω λόγια! Πράγματι, La Vie est Belle et Facile, όσο υπάρχουν άνθρωποι! Ναι, "Η απάντηση είναι ο ΑΝΘΡΩΠΟΣ,όποια κι αν είναι η ερώτηση" (όπως έλεγε ένας παλιός).

5 pink flowers είπε...

I am glad xronia polla!!! and thanks for reminding us as we havew dived deeply into the trap of mainstream

YSATIS TODAY είπε...

Επιτελους μια υπεροχη αναρτηση-δεν εχει σημασια αν καταφερεται εναντιον μου,αξια εχει που εγω (η τοσο ασημαντη για σενα που δεν εχω δικαιωμα να μιλαω τελικα) εισακουστηκα και αυτο ειναι κερδος αφου ειναι απο τις λιγες φορες που μας εδειξες οτι η τεχνη που υπηρετεις ειναι φτιαγμενη για τον ανθρωπο-αυτος ειναι ο σκοπος της αλλωστε.Να εισαι καλα και να συνεχιζεις εστω και μιλωντας σκληρα..

thelxi είπε...

Parakoloyuhsate thn "koinonia toy theamatos " na ypotheso ? nomizeis oti xerei kaneis ton Debord ? giati moy anabeis fytilia ? ti sou ftaine kapoioi,na fane sta moutra mail me ola ayta ? i tainia den yparxei pouthena edo kai to biblio kata periodous exafanizetai apo ta bibiopolia..kalo tha itan na breis kammia kopia , na deixnoyme sta paidia mas - i sta anipsia mas- i stoyw filous mas apo to keratsini

voula είπε...

hi,me eftiaxes prwi - prwi.
THANXXXXXXXXXXXXXXXXXXXXX!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ti stigmi pou nomiza pws i pezotita gyrw trigyrw tha me rixei, vrika to mail sou. Twra kollisa. ..tha dw ta OYRLIAXTA GIA XARH TOY SADE (na doume pote tha grapsw...)

γιάννης είπε...

Πέστα! Μπράβο! Ευχαριστούμε για τα ξυπνητήρια που χτυπάς κάθε τόσο! Φιλιά.

5 pink flowers είπε...

Σας ευχαριστω ολους τους πρωινους! Το κουρδισμα του ξυπνητηριου το οφειλω στον Ικαρο που εχει σημερα τη γιορτη του και ως φανατικος Ντεμπορικος τον εχει μεταφρασει και φροντιζει να μας υπενθυμιζει την υπαρξη αυτων των κειμενων και αυτης της αισθητικης για να περνουμε και καμια ανασα οξυγονου..ολα εχουν ειπωθει αλλα αξιζει να ειπωθουν ξανα και ξανα μανά..

YSATIS TODAY είπε...

''Ξεσηκωνοντας τα πληθη''..
thelxi...διαθετω ''κοπια''-ειναι ευκολο οταν βρισκεσαι στο χωρο των εκδοσεων-την οποια και μεταλαμπαδευω στα παιδια μου αλλα οχι στο Κερατσινι..Βορεια.
voula...μην πεφτεις οταν σκεφτεσαι,χρησιμοποιησε το δημιουργικα(σαν την 5 pink flowers)
γιαννη...θα συμφωνησω στα ομορφα ξυπνητηρια.
5 pink flowers ''κοιτα τι εκανες..''

thelxi είπε...

Μηπως να οργανώσουμε ενα potlatch
με προβολή της κόπιας και τον Ικαρο, που εχει γιορτή , να μας ξεσταβώνει? θα καλέσουμε και όσους αγαπάμε ?
ο pink flower θέλει να κανει τον οικοδεσπότη ?

5 pink flowers είπε...

teleia idea will do!!

YSATIS TODAY είπε...

Να σου πω την αληθεια δεν καταλαβαινω τι θες να πεις αλλα μαλλον κατι θες να πεις miss αντιρρησιας..δεν πειραζει,
συγχυση αλλα ολα καλα.
Αν με περιλαμβανει η προσκληση..με χαρα.
Αν οχι,παλι ενταξει.
Αυτα..fare well.

Roadartist είπε...

καλησπέρα, έστω και αργά, λόγω του ότι έλειπα all day. Ευχαριστώ για την πρόσκληση, το καταχάρηκα!

the navigator είπε...

Δεν την έχω δει την ταινία...θα την πέσω στο link άμεσα...

Το δε potlatch το έψαξα στο wikipedia γιατί δεν είχα ξανακούσει την λέξη...

Ένα πολύ πολύ καλό βράδυ σε όλους...

5 pink flowers είπε...

Xαιρομαι κι εγω που εγινε αυτο το αυτπσχεδιο παρτυ προς τιμην του..μοιλις καταφερα και επεστρεψα μετα απο ενα μεγαλο ταξιδι..εχω ανακαλυψει και μαι καλη συνεχεια στο Νεμπορ θα την ανεβασω συντομα
Καληνυχτα εν απολυτιμο βραδυ

icaros είπε...

Λοιπόν, Φίλτατοι, στα τέλη Νοεμβρίου κανονίζουμε συμπόσιο μετά προβολής των ταινιών του Debord (τις έχουμε όλες)και γόνιμη συζήτηση!